Многие люди увлекаются музыкальным исскуством.Music is a great way to increase the strength of a person’s spirit or to console him in sorrow. The music school is a wonderful institution that allows you to learn the basics, as well as many nuances of how to master this or that instrument. Many newcomers to the musical craft go exactly there at the beginning of their journey. Those people who are beginning to learn how to play the guitar often ask questions about what pentatonic is on guitar. From this article we will find out the answer to this question. In addition, we will know what pentatonic steps are.
Basic principles
In the event that you would not in any way likeIf you would like to master pentatonics, but nevertheless while you would like to be able to come up with an amazing solo on an acoustic or electric guitar, then sooner or later you would still have to deal with this term. Why is this happening?
Learning what pentatonic is on a guitar -inevitably because pentatonic is a scale in which there are 5 sounds. The peculiarity of this scale is that it basically does not have semitones, as well as sounds that can form tritons.
Pentatonic Popularity
It would be difficult to say which of the most famousguitarists (as well as bassists, keyboard players, and many other members of the musical fraternity) could not use pentatonic. For example, blues pentatonic is an aspect without which improvisation is impossible. And, in principle, this is a rather difficult thing to represent - a game without improvisation.
Theoretical introduction
Since pentatonic is a five-step scale,unlike any diatonic scales, it consists not of 7, but of only 5 sounds. This is the power of this method of playing the guitar. The music school of ancient China in the seventh century erected this reception in the status of a philosophical postulate. It was believed that each note of this scale signified a peculiar, definite mystical effect on individuals and society as a whole.
Types of pentatonic
There are two types of pentatonic. At the same time, the minor pentatonic scale is as popular as the major one.
Минорные принципы пентатоники практически в Accuracies are similar to major ones. The difference is only in a slightly different key. This is due to the parallelism of the tone. Thus, we obtain pentatonic by removing the fourth and seventh steps from the major scale. In this case, we remove the second and sixth steps from the minor. That is why this rule of parallelism is excellent for pentatonic.
So, the most important rule is:parallel minor can be built on the sixth rung of the minor, while keeping all the signs on the key, if there is one. In addition, there is an option to retreat from the major tonic one minor third down, in which case a minor tonic will come out. Simply put, it will happen in two frets down the string.
Let's pretend we want to improviseany melody in the key of a minor. It is necessary to find the note la on any of the strings, consult the minor principle of pentatonic, and arrange the remaining notes directly taking into account the basic tonic. The width of the pentatonic scale consists of four frets. Four fingers are directly responsible for four frets, each of your fingers is responsible for the note exactly in its own way. The term for this is denoted - positional game.
Exercise for fixing technology
Let's take la on the third string.This point will be tonic, second fret. Now take the third string with your index finger and get the second position directly. Now start playing with the third fret of the sixth string itself. At this point, the lowest sound. Follow the instructions on the table.
In this example, the bottom line, tab, andthere is a guitar neck itself. Moreover, its first string is at the top, while the bottom one is the sixth. On the right is the tool body, and on the left - pegs. Lada number is depicted on the strings. At the same time he is represented, considering all notes located above.
There is another interesting way.This method is called - triol. In it, every fourth share is divided directly into three equal parts. Every three notes should sound, which is important, evenly during one beat. A classic example in this case is the waltz. Let's remember the standard pace of the waltz, as we saw it, for example, in the films - “one-two-three-one-two-three”.
Consider a major pentatonic
Let's talk more about what ismajor pentatonic. This technique can be obtained by removing from the most natural pre-major scale of the fourth and seventh steps. Accordingly, the formula of this technique: 3 (do) - 2 (re) - 3 (mi) - 5 (salt) - 6 (la).
It is worth paying attention to this.The fact is that the C major and A minor pentatonic scale consist essentially of the same sounds. Nevertheless, due to the fact that they all have the most different interval structure, they differ. In this case, the very rule of paired keys applies to them. These are major minor key tones that have the same number of alterations in their key. For example - C major - A minor, G major - E minor (or F sharp). Thus, it turns out that the pentatonic boxes on the guitar, if we consider them with respect to this property, are universal. In other words, the C major and A minor pentatonic scale have the same fingering structure. However, the location of the tonal center itself, as well as other steps, they differ from each other.
Halftone pentatonic
In Japanese folk music, as well as, in principle, Asian, the use of halftone pentatonics is popular. There, the five-speed series are quite widely known, in addition to the main seven-step sound series.
Halftone pentatonic is commonamong the countries of the East is a type of pentatonic. An example of such pentatonics is as follows: e-f-g-g # -a #. The intervals in this case are semitones (that is, small seconds). In this case, the spacing is e-f and g-g #.
Other examples of pentatonic
By the way, there is still a mixed pentatonic andtempered. In the mixed, the properties of halftone and classical, halftone-free pentatonics are combined, while the tempered one is the Indonesian type of the slandro scale. There are no tones or halftones in it.
Guitarists using pentatonic
One of the most prominent guitarists of the modernTime R. Fripp argued that it usually takes five to six years to master one of the scales. Nevertheless, many people think that the greater the range of scales they know, the better for them. In order to describe this phenomenon, you can use the well-known and extremely good popular expression "pick up the heads." Such people, instead of expanding and deepening their knowledge and understanding of what is already known, jump straight from one to another without mastering anything.
Since pentatonic isthe easiest, and besides, a popular way to master the frets, then it is found in all styles of music. There are a lot of reasons for this. The main thing is most likely in the most neutral sound of this technique. Miles Davis used pentatonic especially intensively in his improvisations. Including even where it might seem unacceptable.
Isolation from natural modes
However, beyond the enormous benefitspentatonic, it also has one major flaw. The fact is that her sound bored pretty quickly and it is rather difficult to come up with something unusual within the framework of one fret. The main standard way to diversify the sound of pentatonic can be the addition of stage 5b and blues style. In addition, many people use toning pentatonics for each of their new chords. In the blues tradition, it is customary to use one pentatonic for approximately all chords of the sequence.
However, there is, among other things, anotherwonderful way that helps expand the expressiveness and possibilities of pentatonic. With this method, you can create extremely unusual sounds, while using only 5 notes. This method is called the "isolation of pentatonics from natural modes".
First, take the three most commonfrets: Dorian, Lydian, Mixolydian. Now remember the connection of the chord with the appropriate mode. Following this, it is necessary to find pentatonic inside each of the frets. Due to the fact that there are only five possible types of the location of sounds in the pentatonic itself, our goal is to find variants of these appeals in the chosen mode.
Using the simplest principle, now we are fromfor each note we start to try all possible options. Moreover, if it is impossible to build a large second from the note itself, then in this case we will have only one option (namely, to start from the minor third). If we generalize the result, we get the conclusion that according to each step of a certain pentatonic scale its own pentatonic scale can correspond. You can give an analogy of harmonizing gamma chords. As a result, we get seven pentatonic in order to beat one chord. We can use any of them to open up the most varied and new chord playing opportunities.
This principle is extremely good for improvisation.You can create the modal pentatonic sound itself without thinking. Suppose you can remember that with each play of a major it is possible to use that pentatonic, which is located a semitone lower than the most basic tone. You can play B-minor pentatonic in C-major.
Well, now you have learned that pentatonic is a wonderful way to master the game of guitar and even delve into its jungle.
