Tsvetaeva's verse, which is easy to learn, is infirst of all, of course, her little work entitled "The red brush of the mountain ash lit ...". In these small quatrains, the poet in a sufficiently capacious form retold all her life, besides this poem is surprisingly melodic and very quickly falls on the ear.
Briefly about the creativity of the author
One of the most famous poets of the first halfXX century is Marina Tsvetaeva. Poems that are easy to learn in her work take a pretty prominent place. This is due to the peculiarities of her language, which differ in capacity and extraordinary expressiveness. The poet wonderfully accurately knew how to express her thoughts, in rather brief terms, bringing her thought to the readers. The vocabulary of her works is characterized by brightness and expressiveness, images - accuracy, colorful and at the same time laconic.
The poems of Marina Tsvetaeva, who easily learn,are quite diverse in subject, style and ideological content. However, they all have the following very characteristic features: condensed phrases, unusual phraseological phrases, accurate expressions and epithets. The latter circumstance may have determined the fact that many of them were put on music and sounded in pretty well-known Soviet films that entered the Golden Fund of Cinema.
Features of the poems
A special place in Russian period literatureTsvetaeva occupies the silver age. Poems short are easy to learn, and therefore in school lessons teachers often pay special attention to her work. In addition, her writings stand out too much among the works of other authors with their originality and unusual imagery.
Her works are rhythmic, sonorous, expressive.In this respect, it is, perhaps, unique: none of her contemporaries achieved such a clear and at the same time vivid imagery in the transmission of their thoughts, feelings, ideas. Very large place in her poems is taken exclamation: they best convey the intensity of her feelings and emotions. Thus, the poet sought the maximum possible dialogue with the reader, drawing his attention to the most important places of his poems.
In her writings are often presentappeals to other people, but in addition, she constantly turns to herself, giving herself no less vivid characteristic than other heroes. In her works the image of the author is perhaps the most profound and expressive. None of the poets of the Silver Age has such a depth of psychological understanding of the Kharatkars as Tsvetaeva.
Characteristics of a love poem
Among the poets of the twentieth century,enjoys M. Tsvetaeva. Poems that are easy to learn, composed by her, have long become a classic of Russian poetry. It is very good to offer schoolchildren to learn her work "I like that you are not ill with me ...". This poem is known to many on the film "The Irony of Fate", where it sounded. This work is remarkable for its extraordinary imagery and richness of language. A kind of recognition in love, made in a negative form, will undoubtedly be enjoyed by the students: the original composition and original conclusion differ from the love poetry of the poets of the "golden age" of Russian culture.
About the history
Another verse Tsvetaeva, who is easy to learn -this is an essay titled "The Generals of 1812". It is interesting in that it has a direct reference to the romantic era of the early 19th century. However, the composition is constructed quite unusually and differs from the traditional hussar romances of the epoch in question. This work is a kind of farewell to the romance of the last century, it is a hymn of a beautiful, but, unfortunately, already past, almost forgotten era. This poem was put on Petrov's wonderful music and sounded in another famous film by Ryazanov, dedicated to the adventures of the hussars.
About poetry
The poems of Marina Tsvetaeva, who easily learn,are dedicated to another well-known poetess A. Akhmatova. This is a whole cycle of poems, in which, along with the glorification of his contemporary, the author expressed her understanding of poetry and its significance in the destinies of the country. Composition of such compositions as "Oh, the Muse of Weeping, the Most Beautiful of the Muses!", "I've covered my head and I'm standing ..." are very easy and simple to remember, so they are ideal for analysis in a school lesson and for memorizing at home. The works are distinguished by a strong emotional feeling and brightness of the images. The poet constantly turns to Akhmatova, calling her unusually figurative epithets.
The same can be said about the dedication tothe death of A. Blok ("Your name is a bird in your hand ..."). This is Tsvetaeva's verse, which is easy to learn, and therefore it is quite often that literary teachers choose to conduct poetry on creativity. The given composition differs by an unusual rhythm and melody, therefore it will be very simple for pupils to remember it.
About destiny
In a separate group should be allocatedpoems dedicated to those or life stages of the author, in which her experience has been very well manifested, as well as all that she had to endure at that difficult time. Tsvetaeva's verse, which is easy to learn from this cycle, is an essay "The Bolshevik." In this work, the poet presented her vision of this new category of people, who in a few years changed the fate and appearance of the country. This work is easy to remember because it, like all the other works of Tsvetaeva, is very rhythmic, but most importantly, it is very original and interesting to the vision of the author of representatives of a new generation, so unlike what she had to see in her youth.
Tsvetaeva's verses, which easily learn about life,are distinguished by a special philosophy. They are rather sad in sound, despite the rhythm and clarity of the language. For example, the poem "Hello from the car" is imbued with deep sadness and longing for the past life. Another of the most famous works of the poet is a poem about the civil war "Posthumous March". It is also written in a very energetic style, which clearly contrasts with the bitterness of the author at the sight of war and general ruin.
