Among the writers there are real virtuosos.Adorable critics call their works "poems in prose." So Turgenev and Gogol wrote. They provided each with an impressive authorial arsenal of artistic means each of its own text of an artistic style. An example can serve Gogol's description of the Dnieper, presented to him in "terrible revenge." The author influences the psyche, emotions through the use of words in figurative meaning (tropes and stylistic figures). As we know, allegories, hyperboles (exaggeration), epithets (representation in image), litoty (understatement), metaphors (comparison), personification (the inference about inanimate as a person) are referred to trails. An example of artistic style, an obvious hyperbole, for example, is seen in the statement that not every bird is allowed to fly to the middle of the Dnieper. But what kind of artistic power is there? Stylistic figures are another type of verbal constructions. This concept includes anaphora and epiphora (amplifying the repetition of words at the beginning and end of the text, respectively), antithesis (opposition), asyndeton and polysyndeton (unionless and multi-union), oxymoron (comparison incommensurable).
Let us recall another artistic style thatcan be characterized as mixed. It is based on literary, but has significant differences. This is the artistic style of speech. Examples of texts for him use shorter phrases, the use of local slang, dialectisms is welcomed. It is aimed directly at listeners and is highly emotional. The Russian classic, our contemporary, Victor Pelevin brilliantly represents the scene of such a speech on behalf of his character - Chapaev in the stage of his performance before being sent to the front (the novel Chapaev and Void). Instead of long speeches about the attitude to the service, Pelevinsky Vasily Ivanovich expressively says: "Necha to corn! ... Experience yourself! "An example of artistic style is convincing with a conversational melody, gesticulation with chopped movements, uniform turns of the trunk to listeners to the right and left. His words include both archaisms, and jargon, closest to the minds of workers, they reflect what they want to hear.