In Russian literature there are works, fatewhich - never fade, be always interesting, relevant, topical and popular with new generations of readers. One of them is the immortal comedy of Griboyedov.
We re-read "Woe from Wit" again
Reading the comedy "Woe from Wit" (summary),we are returning to the Moscow city barracks of the early 19th century. Morning in the house of Famusov, a rich master, who lives according to the traditions of feudal antiquity. He keeps a whole staff of servants who are afraid of his forest fire, his house, hospitable, is always open to noble families and their offspring, he regularly gives balls and seeks to extradite Sofya for a rich, aristocratic landowner, "archival youth" with a good inheritance or brave military at high ranks.
Analyzing the dramatic work "Woe frommind, "the summary of which we analyze, we can not help noticing the irony with which the poet refers to Famusov. He appears on stage at a time when the maid Lisa is knocking at Sofya, her young lady, to warn her about the morning offensive. After all, Sophia is in love with the secretary of her father, "beggarly" Molchalin, and if he finds a "couple", his anger will be truly terrible. This is what happens, but Sophia manages to get out and take his father's displeasure from himself and his lover.
Famusov in years, pleased with himself and considers hisperson a worthy role model. In this sense, he pronounces a moral tirade before his daughter, scolding new fashion and laws, giving young people too much will, and also imitating foreign models in dresses, mannerisms of behavior, education.
Actions in "Woe from Wit" - a summaryreflects this - are rapidly developing according to the laws of drama. One scene dynamically replaces another, and now Lisa and Sophia are alone. The daughter of Famusov is not praised by Molchalin, his shyness, meek, quiet disposition, the music making, which they did all night. Liza is much more fond of her former friend Mrs. Chatsky, who has been traveling abroad for three years. According to Lisa, he is clever, sharpened with language, with it it is amusing and interesting. But for Sophia Chatsky - a memory of half-year-olds, no more, and the sensitivity of Molchalin is now much closer to him than stinging wit Peter Andreyevich.
Suddenly the servant announces the arrival of theChatsky. Hardly appeared in the living room, he rushes to Sofya's knees, kisses his hand, admires her beauty, asks if she is glad to see if she has forgotten. Sophia is embarrassed by such an onslaught, because the hero behaves as if there were no three years of separation, as if they had only separated yesterday, know everything about each other and are also close, as in childhood.
Chatsky is puzzled and, going home to change clothesfrom the road, he puzzles over the main question for him: "How does Sophia really treat him, did she fall out of love, and if feelings are cold, then who is her heart now occupied?"
Further, if analyzed in "Woe from Wit"(summary) of the actions, the key episode will be the visit of Skalozub, a soldier who makes a career on the heads of his comrades, a rough ignoramus who can not express his thoughts and knows nothing more than the statute. However, Famusov is welcoming him, because the colonel is an excellent party for Sophia! The arrival of Chatsky violates the idyll. The hero argues with them, refutes the monologue of Famusov that it is necessary to live in an old fashion, like Maxim Petrovich, Famusov's uncle. He by way of adultery, hypocrisy, humiliation and flattery got a profitable place at court. Pavel Afanasievich judges the present time, which does not respect the old days, the "fathers", and is frightened of Chatsky when he utters his famous monologue "Who are the judges?" With the cry that the young man is a "carbonar", he wants to preach "freedom" and does not recognize power, he runs away from the room.
Another important episode - Sophia sees how fallsfrom the horse Molchalin, and she almost falls into a swoon with excitement - by this she gives herself away with her head. But Chatsky does not believe that this girl, with her intelligence, education and ability to understand people, could get carried away by such a nonentity. Having talked privately to Molchalin, Pyotr Andreevich is convinced of the meanness, pettiness, cowardice, and the sneaking of the interlocutor, and comes to the conclusion that Sophia's chosen one is not he.
In "Woe from Wit", read the summarythe last action is particularly careful. At the ball to Famusov gathered the whole color of Moscow's bar. Each hero is written by Griboyedov masterfully, colorfully, and all together they represent a generalized picture of the autocratic serf society in its worst manifestation: retrograde, servility, ignorance and ignorance, outright stupidity and meanness. Therefore, all with such pleasure believe the rumor of Sophia about the madness of Chatsky, pick him up and carry him around the city.
In horror runs a young man from Moscow, where henot "ride more." Shamed and Sophia, convinced of how insignificant, vile and empty MOLCHALIN. But most importantly, defeated Famusov - the peace of the baroque was broken. After Chatsky - this is the first swallow, and then others will come - the serfs will not be able to live as they are accustomed to.
