Modern music using a guitar inas one of the main accompaniment or leading instruments can not do without imposing effects on it in real time. For this previously used the usual "gadgets" for electric guitars. But over time they transformed into music processors and even whole virtual studios, which are widely used both for recording parts and for concert performances.
"Gangs" for electric guitar: the first attempts at sound processing
Initially, the purely sounding electric guitar wasan instrument that conquered the world in a short time. But its sound did not suit many. To add to her popularity, many musicians and producers began to experiment with the effects. It is believed that the ancestor of the first effect was Les Paul, who later became the founder of the design of the classical guitar form, which is now most widely used in creating Gibson guitars.
The essence of the effect was that he simply tooktwo reel tape recorders and just missed the sound through them, thus obtaining a delay effect, today called a delay (from English Delay). It happened only in the 60s of the last century (although the first attempts were made back in the 40's). And since then the effects for the electric guitar have undergone many changes.
Effects
Rock music does not stay aside from innovationsand opened the world to their vision of the effects. Over time, a distortion effect appeared, first called Fuzz, and then transformed into Overdrive and Distortion.
If anyone remembers, still in the Soviet Union inrecord stores could find lotions for an electric guitar in the form of a pedal with a few buttons (Fuzz). The sound, of course, was dirty and quite different from what the western rockers played. Nevertheless, all our musicians started from this very point. The sound was akin to the sound of "ZZZ", distortion looked like "LJ", and overdrive - to "RRP."
With the advent of processors, the problem of using effects one by one has disappeared by itself, but among all that guitarists use today, there are several main ones:
- Overdrive, Distortion (Fuzz is outdated even morally);
- reverb and delay effect;
- chorus and flanger;
- Wah-Wah ("wow-wow", or, as it is also called, "Quaker");
- Pre-Amp;
- compressor;
- equalizer;
- octave
- harmonizer etc.
Types of pedals
On their own, the pickups for an electric guitar are notcould provide proper sounding (due to market requirements), therefore, the sound processing of the outgoing signal had to be carried out not by the instrument itself, but using external means. It did not even use a direct external connection to the mixing console. So, in the first place came the pedal for electric guitar and the so-called combo.
It is a kind of preliminaryan amplifier with the ability to customize the sound parameters that the guitarist wants to hear at the output (on the concert portal). It is clear that custom effects pass through this device first. But on the other hand, the squealing of a driving guitar when charging a dynamo is made precisely with its help. Pickups react to the speaker. For an electric guitar, this effect was such a discovery that Jimi Hendrix first applied it, and then all the other rockers.
Kombik for electric guitar
Now a few words about signal amplification.Combi for electric guitar has a dual function. On the one hand, you can adjust the sound quality, on the other hand, it is also a monitor, the sound from which the guitarist hears on stage.
Of course, overloading like distortion can beSet on this device by simply setting the volume to maximum. Similar actions are performed on the central mixer. But why bother with such things if you can use “gadgets” for an electric guitar or guitar processors that have become especially popular now? They combine all the main effects.
The development of sound processing technology
At the present stage of development of guitar soundSeparately, it is worth noting that today all the "gadgets" for an electric guitar can be divided by type of electricians. The main pedals are on transistors, microcircuits and lamps. The latter, by the way, provide a “warmer” analog sound, which in the world of music is considered a priori.
But since the advent of software modules embedded in guitar processors based on internal software, evolution has taken a new path.
"Iron" and software "gadgets"
In the modern computer world, the question of what is needed for an electric guitar is only to install the appropriate software.
You can emulate a real guitar usingVST plug-ins like RealLPC, and creating and using effects with Guitar Rig. Do you want to sound like Kirk Hammett from Metallica? There is nothing easier - just turn on the desired template. Software "gadgets" for an electric guitar allow you to play such a sound, which is called, one to one.
But all experts say that “iron”software was perfect, it sounds still more realistic. The programs have only one drawback - they build the sound, driving it, so to speak, to the ideal sound. But in the studio, when recording, a guitar player can use other techniques that no program, albeit somehow recreating the sound of a real guitar, can repeat.
Instead of the total
Что приобрести гитаристу?Previously, the “gadgets” for the BOSS electric guitar were very popular, but at the moment they have not lost their relevance. DigiTech, Vox StombLab, Zoom - this is not the most complete list of the most popular manufacturers. Generally, what is needed for an electric guitar? Drive a bit of chorus and reverb volume. It seems that most guitarists would agree with this approach. Moreover, today you can buy a professional pedal for an electric guitar quite inexpensively.
What to choose?There will have to build on the style of music that is supposed to be performed, for one thing is suitable for heavy metal, and completely different for funk. And the sequence of connecting effects and their subsequent processing can be completely different.
Finally, it's worth noting simplicity.switch between effects. For example, the legendary Brian May prefers using separate pedals mounted on the same deck. Modern guitarists prefer processors on which you can preset automatic switching of processing at a given time interval. Well, who is more convenient.
The software is good too, but they look somehow too perfect. But there must be a zest. And, alas, none of the currently known programs will not be able to recreate it.
